oneKindtheatre

One Kind Theatre is committed to the kind of theatre that can inspire audiences anywhere in the world.

One Kind Theatre is dedicated to the belief that contemporary artists from all sides of the divide; whether intellectual, sexual, racial, religious, physical, political, generational, linguistic or digital; can reserve a space for ourselves where collaborative artistic exchange can happen in a safe, stable and supportive environment, as we ask ourselves some relevant questions of our time - Why are we still here? Why are we still doing what we do? Where are we going to end up?

One Kind Theatre seeks to seed new audiences and in so doing, create the need to exist.

Like many in the US and the world, we have not been spared the ravages from the turbulence of the last two years. In response, we stayed dormant, but solvent; circumspect, but diligent; quiet, but creative. As a result, we are able to continue as a low-overhead organization, continue to seek out young theatre artists to support and collaborate with, and continue to introduce ourselves and our work to new audiences here and abroad. We are convinced that our mission is still necessary, our beliefs still well-founded and our hope for a better world through collaborative creative exchange, the touchstone on which our efforts and labours have been founded in the past five years, still achievable, today and tomorrow.

UGO'S LAST DANCE in New York - All of us at One Kind Theatre proudly congratulate our Former Associate Artistic Director, David Lefort Nugent, on the founding of his new theater company, GODMACHINE and for its successful month-long run of UGO'S LAST DANCE in New York, produced with the kind support of The Foundry Theatre. We are also happy that present Artistic Director, Alec Tok, was invited to lend his directorial eye to this inaugural production and are very pleased to announce that this partnership yielded a musical which critics and audiences praised for its thoroughness, great ensemble work and ability to honour the theatrical demands of Dante's INFERNO on whose Canto Thirty-Three, UGO'S LAST DANCE was based.

To read a review of UGO's LAST DANCE, please go to www.nytheatre.com/nytheatre/showpage.php?t=ugo7360